|
|
|
|
|
The Virgin with the Host
Painting ID:: 2018
|
Jean-Auguste Dominique Ingres
The Virgin with the Host
1854
Musee d'Orsay, Paris
|
| |
|
|
|
|
|
|
|
|
|
Joan of Arc at the Coronation of Charles VII
Painting ID:: 2019
|
Jean-Auguste Dominique Ingres
Joan of Arc at the Coronation of Charles VII
1854
Musee d'Orsay, Paris
|
| |
|
|
|
|
|
|
|
|
|
Venus at Paphos
Painting ID:: 2020
|
Jean-Auguste Dominique Ingres
Venus at Paphos
1853
Musee d'Orsay, Paris
|
| |
|
|
|
|
|
|
|
|
|
The Comtesse d'Haussonville
Painting ID:: 2021
|
Jean-Auguste Dominique Ingres
The Comtesse d'Haussonville
1845
The Frick Collection, New York
|
| |
|
|
|
|
|
|
|
|
|
Roger and Angelica
Painting ID:: 2022
|
Jean-Auguste Dominique Ingres
Roger and Angelica
1839
National Gallery, London
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Jean-Auguste Dominique Ingres
|
|
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art.. |
|
Related Artists::.
| John Charlton | marie kroyer | Losenko, Anton | |
|
